Well, I just finished the first draft of my (500+ page) dissertation. But what does one do with a PhD in mind reading?… And then I saw this poster up at my friendly neighborhood McDo. Problem solved. Would you like fries with that? đ
David Blaine and Derek DelGaudio
In Marrakesh I once wandered hopelessly through the labyrinthine Souk vainly searching for my hotel. I asked a young vendor about the address and was handed off without delay to an elderly gentleman who led me through twists and turns for what felt like kilometers leading into days. Just before turning a corner, plainclothes men on motorcycles holding radios arrived and the man disappeared into the twists and turns of the Souk. They claimed to be police and led me the rest of the way to my hotel, which was just around the corner. The desk clerk spoke as much English as I spoke French. It was his first day on the job and he didnât know how to book me into my room. I would need to wait for âhis friendâ to return. The old man who fled from the police reappeared with his hand out. I gave him what I considered to be a generous tip by local standards. He wanted more. Sorry my friend, not tonight.
Amidst all this frenetic activity poised on the razorâs edge of chaos, a melodious voice coming from the staircase behind and above me, with all the nuances of a classical James Bond villain, pleasantly proclaimed in the comforting accent of an elderly New Yorker, âWelcome to MarrakeshâŠâ At breakfast the next morning, we exchanged a few pleasantries. He was in his seventies. The following morning I sat in a dark corner for privacy. He asked if he could join me. Forcing myself to be social, I asked questions and he laid out one of the most fascinating life stories Iâve ever heard. I still follow his travels and I hope that I age as gracefully as he has. What prompted me to recall this memory and describe it with such melodramatic prose at 3am? Oh, itâs just that a driver shortage has left me stranded in a Greyhound Bus terminal in Columbus on my way to New York and the lady just said, âWatch your step, youâre steppinâ in blood.â
â ℠⣠âŠ
I finally arrived in New York City, hours after the show began which I traveled there to see. But I am happy to report that I was able to switch my ticket to two nights later, and also that I have lovely friends who have a couch. I saw Derek DelGaudioâs show âIn & of Itself,â which was brutally good. I expected to be impressed with the theatrical experience. I did not expect to stumble out of the show muttering to myself that Derek must apparently be able to do real actual magic, because thatâs the only answer that goes any distance toward explaining some of what I saw. After the show, I spent some time backstage with Derek and David Blaine. (Iâm not even going to tell you whoâs holding the cameraâŠ) We discussed being real and feeling fake and everything in between, and Derek eloquently summed it up: âWelcome to the crisis.â
These two guys are simultaneously the most real and the most unreal people Iâve ever met. This is the sort of paradox that one can really wrap oneâs mind around at 4am while spending the night in an airport. But you know what they say: Spend the night in a bus station/airport once in a week; shame on you. Spend the night in a bus station/airport twice in a week; shame on me.
Another publication: ‘The End of Mind Reading’
On Friday the 13th â appropriately enough â my paper, âThe End of Mind Readingâ was published under my former stage name Edward James Dean, in the University of Huddersfieldâs Journal of Performance Magic. Regarding this paper, the editor of this edition, Franc Chamberlain, writes:
âOf the nine papers presented at the symposium only three are included in this issue of Performance Magic, those by Todd Landman, Nik Taylor, and Edward James Dean. Each of these⊠questions in one way or another, magic in an age when the magician is openly playing with questions of truth and fiction, reality and illusion, instruction and diversion, and enchantment and disenchantment. Edward James Dean draws on some ideas from Richard Schechnerâs work on play and the concept of âdark playâ to explore some of the ambiguities in performance magic and makes links to the world of wrestling and the openness of contemporary kayfabe.â
To read âThe End of Mind Readingâ click here
My first paper published in the JPM, â(Re)Discovering the Body in Mentalismâ can be found here: click here
Nice review in âMotleyâ magazine
Cover Spread in âRogue Illustratedâ
4th International Expert Meeting on Parapsychology
On May 26th, I presented my paper âLove, Luck and the Paranormalâ at the 4th International Expert Meeting on Parapsychology in Heidelberg, Germany.
I opened with this joke: âIâve come here from Ireland, so just walking in the sunshine this morning has been a paranormal experienceâŠâ (Itâs funny because itâs true.)
The Journal of Performance Magic
University of Huddersfield Publication
On Halloween â appropriately enough â my paper, â(Re)Discovering the Body in Mentalismâ was published under my former stage name Edward James Dean, in the University of Huddersfieldâs Journal of Performance Magic. Regarding his paper, the editor of this edition, Madelon Hoedt, writes:
âIn â(Re)Discovering the Body in Mentalismâ by Edward James Dean, the author discusses the role of the body in the performance of mentalism, or rather, the perceived lack thereof. As Dean argues, the performance of mentalism, in particular, is seen as an activity of the mind, first and foremost, foregoing any notion or interpretation of the physical. In his essay, Dean is opening a discussion as to how the body of the mentalist needs to be reassessed in order to create a different, and perhaps more effective, type of performance.â
To read â(Re)Discovering the Body in Mentalismâ click here