Research Poster in the News

My research poster (and I) were featured in the Trinity College Dublin news today. The poster was created as part of my Early Career Research Residency with the Trinity Long Room Hub Arts and Humanities Research Institute. Read all about it!

https://www.tcd.ie/trinitylongroomhub/news/2023/could-you-put-your-research-on-a-poster/

https://www.tcd.ie/trinitylongroomhub/people/fellows/early-career-researchers/early-career-researcher-poster-showcase/

This is Not a Video

“In an ever-changing, incomprehensible world the masses had reached the point where they would, at the same time, believe everything and nothing, think that everything was possible and that nothing was true. […] Mass propaganda discovered that its audience was ready at all times to believe the worst, no matter how absurd, and did not particularly object to being deceived because it held every statement to be a lie anyhow.”

— Hannah Arendt, The Origins of Totalitarianism (1951)

An Accumulation of Spectacles

“In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into a representation.”

— Guy Debord

This little demonstration shows how our minds can be fooled. And also… Marilyn Monroe was murdered. #IamNOTaCAT.

FakeArtist presents: artist-in-residence

“artist-in-residence” was a 24 hour public performance and the expression of a sustained contemplation on the contemporary social struggle of homelessness through durational performance art, followed by an audio/visual sculptural installation exhibition. “artist-in-residence” was part of FakeArtist’s month-long residency at The Guesthouse in Cork, Ireland.

This work focused on modes of representation in depicting the relationship between the material (sculpture/modified readymades) and the experiential/performative.

The little house made of (fake) Amazon boxes

It sought to create a socially engaged performative space in which to accentuate the potential of performance art to critique or subvert power mechanisms in everyday life.