Eddie Dean, “Telepathy Rock Star” was in the news again. Stripping psychics? That was me. (No need for the plural, Mz. Bruton.) ‘To quote a mystified Jason Byrne, “I was off me banger watching you”.’
Well, that and three Euro will get you a cup of coffee at Starbucks. Look ma’! No physical communication!
On Friday the 13th — appropriately enough — my paper, ‘The End of Mind Reading’ was published under my former stage name Edward James Dean, in the University of Huddersfield’s Journal of Performance Magic. Regarding this paper, the editor of this edition, Franc Chamberlain, writes:
‘Of the nine papers presented at the symposium only three are included in this issue of Performance Magic, those by Todd Landman, Nik Taylor, and Edward James Dean. Each of these… questions in one way or another, magic in an age when the magician is openly playing with questions of truth and fiction, reality and illusion, instruction and diversion, and enchantment and disenchantment. Edward James Dean draws on some ideas from Richard Schechner’s work on play and the concept of ‘dark play’ to explore some of the ambiguities in performance magic and makes links to the world of wrestling and the openness of contemporary kayfabe.’
To read ‘The End of Mind Reading’ click here
My first paper published in the JPM, ‘(Re)Discovering the Body in Mentalism’ can be found here: click here
On May 26th, I presented my paper ‘Love, Luck and the Paranormal’ at the 4th International Expert Meeting on Parapsychology in Heidelberg, Germany.
I opened with this joke: “I’ve come here from Ireland, so just walking in the sunshine this morning has been a paranormal experience…” (It’s funny because it’s true.)
On Halloween — appropriately enough — my paper, ‘(Re)Discovering the Body in Mentalism’ was published under my former stage name Edward James Dean, in the University of Huddersfield’s Journal of Performance Magic. Regarding his paper, the editor of this edition, Madelon Hoedt, writes:
‘In “(Re)Discovering the Body in Mentalism” by Edward James Dean, the author discusses the role of the body in the performance of mentalism, or rather, the perceived lack thereof. As Dean argues, the performance of mentalism, in particular, is seen as an activity of the mind, first and foremost, foregoing any notion or interpretation of the physical. In his essay, Dean is opening a discussion as to how the body of the mentalist needs to be reassessed in order to create a different, and perhaps more effective, type of performance.’
To read ‘(Re)Discovering the Body in Mentalism’ click here